Panasonic 24–60mm f/2.8 S Review: Fast Primes & Versatile Zooms

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Is the Panasonic Lumix S 24-60mm f/2.8 worth buying?
The Panasonic Lumix S 24-60mm f/2.8 is worth buying for L-mount shooters who want a constant-aperture standard zoom that starts at a true wide 24mm and stays reasonably light. It weighs about 544 g with a 77 mm filter thread and is cheaper than heavier professional f/2.8 zooms. Its limits are a shorter reach than a 24-70mm, softer corners at 60mm in some reviews, and a size that is not tiny. It suits travel, hybrid photo and video work and owners of smaller L-mount bodies.
Key specifications
| Spec | Panasonic Lumix S 24-60mm f/2.8 (S-E2460) |
|---|---|
| Mount | L mount, full-frame |
| Aperture | Constant f/2.8 |
| Weight | About 544 g (without caps and hood) |
| Filter thread | 77 mm |
| Maximum diameter | 84 mm |
| Length | About 99.9 mm |
| Minimum focus | 0.19 m at wide end, 0.33 m at 60mm |
| Maximum magnification | 0.30x at 30mm |
| Optics | 14 elements in 12 groups |
Sources: Panasonic's product page and Digital Camera World's review. Prices vary by region, so check current figures.
What is it like to use?
The lens covers the most-used focal lengths from wide landscapes to short portraits. A constant f/2.8 aperture keeps exposure stable when zooming, which suits video, and the 24mm wide end is useful for travel, interiors and street scenes. The minimum focus distance is short for a standard zoom, so close-ups of small objects are possible. It is smaller and lighter than most professional f/2.8 zooms, which helps on smaller bodies.
Reviews note that corners soften at 60mm, and the lens gives up 10mm of reach compared with a 24-70mm.
Who is it for?
- Travel photographers. The weight, size and 24mm wide end are a strong combination.
- Hybrid shooters. Quiet autofocus and limited focus breathing help video.
- Owners of smaller L-mount bodies. It balances well on cameras such as the Lumix S5 series.
- Buyers who want f/2.8 without a heavy lens. It costs less than the largest pro zooms.
What are the alternatives?
| Lens | Notes |
|---|---|
| Sigma 28-70mm f/2.8 DG DN Contemporary | Smaller and sharper in the corners in some reviews, but starts at 28mm |
| Sigma 24-70mm f/2.8 DG DN Art | A longer zoom with more reach, but larger and heavier |
| Panasonic Lumix S 20-60mm f/3.5-5.6 | Lighter kit zoom for casual use |
The best lenses for the Panasonic Lumix S5 guide covers more options, and the best lenses for the Panasonic S1H guide covers video-oriented choices.
Pros and cons
| Pros | Cons |
|---|---|
| Constant f/2.8 from 24mm | Corners soften at 60mm |
| Lighter than most pro f/2.8 zooms | Less reach than a 24-70mm |
| Short minimum focus distance | 77 mm filters cost more than smaller sizes |
| Good for hybrid photo and video | Not the smallest option |
Frequently asked questions
Does the lens work on Sigma and Leica L-mount cameras? It uses the L mount, shared by Panasonic, Leica and Sigma, so it fits compatible bodies. Check the maker's page for features that depend on the body.
Is it weather sealed? Panasonic lists dust and splash resistance for the S series. Check the specification page for the exact rating.
Is it better than a 24-70mm? It is lighter and starts at the same wide end, while a 24-70mm has more reach. Pick based on whether reach or weight matters more.
Is it good for video? Yes. A constant aperture and quiet autofocus suit video, and focus breathing is reported as small.
Camera & Lens Settings by Real-World Use Case
Match your focal length, aperture, shutter speed, and lighting modifier to the exact environment you shoot in.
YouTube Talking-Head, Podcasting & Desk Streaming
- Best Body:
- Sony ZV-E10 II / Sony a6700 / Canon EOS R50
- Ideal Lens:
- Sigma 16mm f/1.4 DC DN (APS-C) or 24mm f/1.8 (Full Frame)
- Aperture & Shutter:
- f/1.4 – f/2.0 (separates speaker from a close desk wall within 4 feet) · 1/50s (for 24fps) or 1/60s (for 30fps) — 180-degree shutter rule
- Room Distance:
- 0.8m – 1.4m (2.5 to 4.5 ft desk arm mount)
Wildlife, Safari, Whale Watching & Birds in Flight
- Best Body:
- Canon EOS R7 / Nikon Z8 / Sony a6700 / OM System OM-1 Mark II
- Ideal Lens:
- 100–400mm, 150–600mm, or Nikon Z 180–600mm f/5.6–6.3 VR
- Aperture & Shutter:
- f/5.6 – f/8 (wide open on super-telephotos for maximum shutter speed) · 1/1000s (whales/bears from a moving boat) to 1/2000s – 1/3200s (birds in flight)
- Room Distance:
- 10m – 80m+
Tattoo Artists & Micro-Realism Portfolios
- Best Body:
- Sony Alpha a7 III / Fujifilm X-T4
- Ideal Lens:
- 90mm f/2.8 Macro (detail) or 50mm f/1.8 (sleeves & back pieces)
- Aperture & Shutter:
- f/5.6 – f/8 (keeps curved forearms and calves sharp edge-to-edge) · 1/125s – 1/200s handheld (or 1/60s on tripod)
- Room Distance:
- 0.4m – 1.5m (1.5 to 5 ft)

Written by
Marien CartelMarien Cartel runs Marien Cartel Photography, a camera and lens buying-guide site, and photographs the gear shown on it.
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