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Panasonic 24–60mm f/2.8 S Review: Fast Primes & Versatile Zooms

By Marien Cartel· Sep-2026· Updated Oct-2026
Panasonic 24–60mm f/2.8 S Review: Fast Primes & Versatile Zooms

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Is the Panasonic Lumix S 24-60mm f/2.8 worth buying?

The Panasonic Lumix S 24-60mm f/2.8 is worth buying for L-mount shooters who want a constant-aperture standard zoom that starts at a true wide 24mm and stays reasonably light. It weighs about 544 g with a 77 mm filter thread and is cheaper than heavier professional f/2.8 zooms. Its limits are a shorter reach than a 24-70mm, softer corners at 60mm in some reviews, and a size that is not tiny. It suits travel, hybrid photo and video work and owners of smaller L-mount bodies.

Key specifications

SpecPanasonic Lumix S 24-60mm f/2.8 (S-E2460)
MountL mount, full-frame
ApertureConstant f/2.8
WeightAbout 544 g (without caps and hood)
Filter thread77 mm
Maximum diameter84 mm
LengthAbout 99.9 mm
Minimum focus0.19 m at wide end, 0.33 m at 60mm
Maximum magnification0.30x at 30mm
Optics14 elements in 12 groups

Sources: Panasonic's product page and Digital Camera World's review. Prices vary by region, so check current figures.

What is it like to use?

The lens covers the most-used focal lengths from wide landscapes to short portraits. A constant f/2.8 aperture keeps exposure stable when zooming, which suits video, and the 24mm wide end is useful for travel, interiors and street scenes. The minimum focus distance is short for a standard zoom, so close-ups of small objects are possible. It is smaller and lighter than most professional f/2.8 zooms, which helps on smaller bodies.

Reviews note that corners soften at 60mm, and the lens gives up 10mm of reach compared with a 24-70mm.

Who is it for?

  • Travel photographers. The weight, size and 24mm wide end are a strong combination.
  • Hybrid shooters. Quiet autofocus and limited focus breathing help video.
  • Owners of smaller L-mount bodies. It balances well on cameras such as the Lumix S5 series.
  • Buyers who want f/2.8 without a heavy lens. It costs less than the largest pro zooms.

What are the alternatives?

LensNotes
Sigma 28-70mm f/2.8 DG DN ContemporarySmaller and sharper in the corners in some reviews, but starts at 28mm
Sigma 24-70mm f/2.8 DG DN ArtA longer zoom with more reach, but larger and heavier
Panasonic Lumix S 20-60mm f/3.5-5.6Lighter kit zoom for casual use

The best lenses for the Panasonic Lumix S5 guide covers more options, and the best lenses for the Panasonic S1H guide covers video-oriented choices.

Pros and cons

ProsCons
Constant f/2.8 from 24mmCorners soften at 60mm
Lighter than most pro f/2.8 zoomsLess reach than a 24-70mm
Short minimum focus distance77 mm filters cost more than smaller sizes
Good for hybrid photo and videoNot the smallest option

Check the Panasonic 24-60mm f/2.8 S on Amazon

Frequently asked questions

Does the lens work on Sigma and Leica L-mount cameras? It uses the L mount, shared by Panasonic, Leica and Sigma, so it fits compatible bodies. Check the maker's page for features that depend on the body.

Is it weather sealed? Panasonic lists dust and splash resistance for the S series. Check the specification page for the exact rating.

Is it better than a 24-70mm? It is lighter and starts at the same wide end, while a 24-70mm has more reach. Pick based on whether reach or weight matters more.

Is it good for video? Yes. A constant aperture and quiet autofocus suit video, and focus breathing is reported as small.

Field Setup Cheat Sheet

Camera & Lens Settings by Real-World Use Case

Match your focal length, aperture, shutter speed, and lighting modifier to the exact environment you shoot in.

Video & Content CreatorsUnlimited 4K + Clean HDMI

YouTube Talking-Head, Podcasting & Desk Streaming

Best Body:
Sony ZV-E10 II / Sony a6700 / Canon EOS R50
Ideal Lens:
Sigma 16mm f/1.4 DC DN (APS-C) or 24mm f/1.8 (Full Frame)
Aperture & Shutter:
f/1.4 – f/2.0 (separates speaker from a close desk wall within 4 feet) · 1/50s (for 24fps) or 1/60s (for 30fps) — 180-degree shutter rule
Room Distance:
0.8m – 1.4m (2.5 to 4.5 ft desk arm mount)
Pro Setup: Elgato Cam Link 4K or USB-C UVC + dummy battery AC adapter + 45° key softbox + dynamic XLR podcast mic.
Sports & Wildlife400mm–600mm + Bird Eye-AF

Wildlife, Safari, Whale Watching & Birds in Flight

Best Body:
Canon EOS R7 / Nikon Z8 / Sony a6700 / OM System OM-1 Mark II
Ideal Lens:
100–400mm, 150–600mm, or Nikon Z 180–600mm f/5.6–6.3 VR
Aperture & Shutter:
f/5.6 – f/8 (wide open on super-telephotos for maximum shutter speed) · 1/1000s (whales/bears from a moving boat) to 1/2000s – 1/3200s (birds in flight)
Room Distance:
10m – 80m+
Pro Setup: Back-button AF-C with Bird/Animal Eye detect + lens hood against ocean spray + monopod.
Studio & ProfessionsZero-Glare Setup

Tattoo Artists & Micro-Realism Portfolios

Best Body:
Sony Alpha a7 III / Fujifilm X-T4
Ideal Lens:
90mm f/2.8 Macro (detail) or 50mm f/1.8 (sleeves & back pieces)
Aperture & Shutter:
f/5.6 – f/8 (keeps curved forearms and calves sharp edge-to-edge) · 1/125s – 1/200s handheld (or 1/60s on tripod)
Room Distance:
0.4m – 1.5m (1.5 to 5 ft)
Pro Setup: CRI 95+ 5600K LED panel covered with Linear Polarizing Film + Circular Polarizer (CPL) lens filter rotated 90°.
Marien Cartel

Written by

Marien Cartel

Marien Cartel runs Marien Cartel Photography, a camera and lens buying-guide site, and photographs the gear shown on it.